February 2026 update

Been a minute.

Day-job over the holidays was insane, so not much break to speak of, but have been staying very busy. Fired off five story submissions to different magazines, including Uncertain Stories, Story Magazine, Locative Magazine and Literary Heist.

Currently keeping occupied editing and reading for another magazine, who shall remain nameless (to prevent any of you from bribing me to give your contest submission a higher recommendation).

Today is also six-year anniversary of first date with the wife, who is more beautiful than ever, and the most recent heat wave has finally broken, so it’s a good day all over.

Working on a few things next: a horror short story about a sip & paint brunch that goes horribly wrong, and then I believe it’s time to give The House Always Wins a thorough edit/rewrite.

Stay safe out there.

November 2025 update

Kill The King done and edited, safely in the hands of alpha readers (one of whom has already handed back notes and corrections), and I’m thrilled with how it turned out. If I got stuck in an elevator with an agent tomorrow, I could comfortably pitch them KTK as it currently stands. 115,300 words total.

In other news, you might notice that all ten chapters of Mark’s Bad Day are off the site. It was originally the intro to Wouldn’t Be Seen Dead (which takes place six months later), and my plan for this weekend was to put it on the Apple Books store, but having looked through it, it’s not up to par. It will be reworked entirely, perhaps as the first third of that entire novel. Perfect is the enemy of done, I know, but I can no longer comfortably put my name to something that had three instances of the word “slightly.” My standards are too high for that these days. 

Not one to rest on my laurels, I’ll be getting to some short story ideas that got put on the back burner while editing KTK, the best of these to be shopped around.

❤ 

NEW SHORT STORY!

My previously unpublished short story The Hill You Die On is out now as a podcast! The gentlemen at Shade Chronicles podcast picked it for episode 9 of season 3 of their show, links below:

And for those who prefer Apple Podcasts, this is the link HERE.

Whenever Thomas Fletcher finds his skeleton on the patch of grass in his back yard, it warns him of how he might die that day. On the morning of his daughter’s wedding, he finds the skeleton without indication or clue as to what he should avoid. 

The production quality is excellent, despite the AI narrator occasionally stressing the wrong emphasis, but the sound effects and backing score add a layer I never thought possible. After the opening song, my story is up first – it only goes for 22 minutes, so great length to listen during a commute –  then a brief spot I recorded to give more info. 

After the second story, the hosts discuss my story, which was downright surreal to hear people I don’t know talk about something I wrote. Feels good. 

I also designed my own cover:

A white crow in a tree, overlooking a skeletal hand upon the ground.

In other news, there’s not much other news. Revising the rewritten Kill The King manuscript has been extraordinarily time-consuming, considering it’s a 114,000-word joint and I’m giving it a deep line edit. That said, I managed to edit chapter 5 (titled Dancing Shoes) in one weekend, and it’s 20,000+ words. Hope to have it done (including weeding out all those pesky filler-killer words) by the end of the year, then can deliver to to alpha readers. 

More exciting story news to come. 

Stay blessed, everyone

❤ 

August 2025 update

IT IS DONE!

Sort of.

After eight gruelling months of side-by-side rewrites in what free hours I had outside of work, Kill The King draft 3 clocked in at approximately 114,000 words. This is almost right on target for losing a tenth of a manuscript’s length per draft, as the sages advise. 

That’s not to say the work is done. During my rewrite, I noticed the need for several alterations and additions – chapter breaks to group together scenes, stronger foreshadowing, perhaps adding maps to some sections – but once that’s done, it’s due for one final scrubbing and trimming. Any who want to join the list for an advanced reader copy, leave a comment or shoot me an email. All I ask in return are your impressions. 

Once all that is done, I think it’s ready for representation. Time to take the plunge.

Went to Australia Zoo with the wife for her birthday, and goddamn if those echidnas aren’t the cutest. 

43 Minutes

It had been a little over eighteen hours since the lights went out. 

It took the combined strength of myself, Petty Officer Reilly, and Doctor Meyer to force the door open. The Captain’s quarters were quiet, and so dark that we had to light our way with our suit-mounted flashlights. I nearly lost my balance as I stepped on a dry-erase pen left on the floor.

“There,” Reilly pointed with his beam of light.

The Captain slumped against the wall, a tourniquet tight around his throat and his face swollen almost beyond recognition.

“What’s that?” I asked, pointing to the wall above him.

Writ-large in our Captain’s handwriting, a message had been inked on the wall:

THE ONBOARD AI HAS CALCULATED THAT THE FOUR OF US WOULD RUN OUT OF OXYGEN 43 MINUTES BEFORE RESCUE ARRIVES

Matt standing in front of a museum display dedicated to his tattoo story

Feb 2025 Update

Since last post, I’ve been reading the headlines – a millionaire CEO gets shot, wildfires scorch California – so I knew it was time to rewrite Kill The King, since the events mirror so many of its major themes.

It follows down-on-his-luck Vincent, who has a good thing going – committing petty crimes and breaking harmless laws for money – but when charismatic punk Jimmy recruits him to help kill the richest people in the city to save the needy before encroaching wildfires or boiling riots burn it all down. I wrote from the heart.

So far, I’ve been doing it side-by-side, writing in the fresh Word document on the left side of the screen and the previous draft open on the right. Every paragraph is tighter and smoother. Wise man say:

Formula: 2nd Draft = 1st Draft – 10%

I’m at page 132, at the exact same point where, in the first draft, it’s page 145. Not sure if that math maths out to be 10 per cent, but I’m happy with how it’s turning out. I’m also growing a book beard. I stopped shaving once I started the new draft of Kill The King, and won’t buzz it off until I’ve written those magic two words, three letters each: THE END. Maybe won’t shave even then; I kinda like it.

This does mean all my short stories are on hold.

But not other people’s short stories! Happy to announce that I’m now one of the new editors / readers for Story Unlikely, which has been a lot of fun, and is making me a better writer and editor.

Other news: I was featured in a tattoo exhibition at the local museum! It’s in Kingston and free all year, so go check me out. Bonus image below.

Gotta go. More writing.

Book on display. Title card reads:
Slaughterhouse Five novel by Kurt Vonnegut, German beer glass, and leather bracelet
Objects inspiring the writing of Matthew Hampton
On loan courtesy of Matthew Hampton, 2025

October 2024 update

It’s been a hot minute. 

I finished The Massacre at Serenity Ridge, which came in at 23,369 words.
Blurb:

Queensland, 1872.
After getting a tip-off that the abandoned opal-mining town of Serenity Ridge left their buried treasure ripe for picking, the feared Cotterell gang – along with new hands like the Reverend Phillips and the drunk Wilson – ride in to claim their fortune, unaware that a vicious Malingee guards the sacred cave with stone knife keener than its hate for trespassers.

Pleasingly, it lived up to my unconscious expectations: it has decent rhythm and language, effective character moments, good scares, and an ending that – while not entirely expected – feels inevitable. 

The only critique I’ve gotten so far is that there are too many character names, which I can understand, but I want a large enough cast for it to be a Massacre, don’t I? This problem has been temporarily solved with a dramatis personae list between the title page and page 1, but in the rewrite I’ll probably just flatten out and un-name a few characters. 

In other news, I am on a little hiatus from the writing, which both sucks and blows. I finished MASR in August, and September was entirely reserved for putting together evidential materials to apply to sponsor my wife’s visa. Yes, I said “wife.” I am a husband now. Pretty fucking cool, right? Got married September 11th, so that will be hard to forget. 

Am also now dedicating my creative time (that hour or two between clocking off work and opening a bottle of wine) to an editing course I signed up to on Udemy by Jessica Perini, who really seems to know her stuff. I’m hoping it will make me a powerhouse of a re-writer, and improve my chances of getting some of my shit on shelves. 

Many ideas rocketing around for Mark novel #4, or Vincent & Jimmy novel #3, or a Smiley & Ruby spinoff novel, but learning to edit and finish a manuscript has got to be the next part of my levelling up as a writer, because having five novels and three novellas (not to mention half a dozen shorts) sitting in the cloud as “draft 1 finished” isn’t cutting it. Gotta finish.

K bye.

March 2024

Feeling a bit lost without a novel to work on. I’d never had a silly season quite so silly as this past one, galavanting around Europe and drinking my body weight in crisp German lager, and I was away for just long enough for all of my good habits to unravel. Coming back to the scorching heat was even worse. It’s spring now, however, and I have my first sinus infection of the year, so since my head is filled with concrete I’ll keep this update brief. 

In case you missed it: latest book came in at more of a novella than anything else. Somehow my fingers delivered me half a book. 

Final word count of 53,616

The “scene by scene breakdown” document for the previous novel, Kill The King, came in at around that same word count. I could cut it down even further and have a novella, or beef it up in the rewrite and explore the ideas and themes further and have a fully-fledged novel. Who knows? It was still a damn good ride, but now that Son of the Spike’s first haphazard draft is done, I can take some time to reflect and learn and research. 

Currently doing a few Masterclass courses, starting with Martin Scorsese teaching filmmaking. He makes a few good points about the craft which I find useful, as I’ve always been just as interested in films (and, to a lesser degree, comic books) as prose literature, but next up is an Aaron Sorkin course on screenwriting, then another Masterclass on editing. 

While I’m doing this I’ll also be researching and getting to work on my next story, a slasher-thriller I’m tentatively titling The Massacre at Serenity Ridge. It’ll be like The Treasure of Sierra Madre meets Alien. 

Also, I’ve posted a couple new shorts and flashes on the short stories page,

listed here:

Anyway, I’m out. Gonna go drink more tea.


1719473100

  days

  hours  minutes  seconds

until

Luz

Crab Dinner

I awoke at dusk.

The important thing was that I felt no pain. Being an experienced skydiver, scuba instructor, hiker, mountaineer, and rock climber — I had been through my fair share of injuries. I broke my leg on a forest trail once, just slipped right through a wood bluff and fell five metres into the glen below. Didn’t even feel it until the air ambulance was strapping me into the rigid gurney. That one hurt but knowing that help would come kept me calm.

Today was… Friday? I had been taking a group of Australians on a tour of the… where? What hemisphere was I in? North America, by how amazed their faces had been. But then…

Why was I here?

And where was here?

I rolled my eyes around and saw only sky. No other part of my body was responding properly to my movements, just my eyes, and I could open and close my mouth. If I strained my eyes down to look across my cheekbones, I could see that the light in the sky was fading. Pastel orange all the way along the ocean’s horizon, fading up to peaches and pinks, eventually purpling like a wound.

A cool wave slapped at my face.

It all came back at once: the freak wave grabbing me and launching me at the shore, the sensation of great impact.

I had been snorkelling.

Now I was in the shallows. I tried to get up, tried rolling over, moving at all. Only my hands responded weakly to my commands, I had no sensation in my legs at all. Almost everything below my neck was numb.

I tried shouting for help, but it felt like a great weight was sat on my chest. The only sound I could make was a whisper. How many ribs and vertebrae had I broken? I was glad that the snorkel mouthpiece was still attached to the mask, and the mask was still on my face, because the low tide of sunset was going to come back in soon. The snorkel might be the only way I could breathe when the waves went higher than whatever rock I had been thrown onto, whatever mud flat I had washed ashore on.

Clack, clack.

Some noise to my left, my submerged ear. The sea was more to my right, so it came from the landward side. Clicking steps, a snuffling. A dog? A dog! It could go get its owner, be the good boy, save the day. We could be on the front page of the local newspaper together after I get out of hospital.

Clack, clack, chick…

It was my imagination or the water amplifying the sound.

A sharp pain shot through my ear.

I couldn’t groan, only let out a long and profane breath. This was no dog investigating me, making little furtive steps in the shallows, its tiny mouth was too sharp and its miniature movements too quick.

Another pain, and I felt the water around my ear go warm.

It had drawn blood.

As if summoned by its discovery of an immobile feast, its fellow walked across my chest. It did little to add to the invisible weight I felt crushing me. I did my best to push my chin down and peer down to see it, as little as my head would obey on its swivel.

Clack.

It snapped its pincer at me when I moved. It did not like sudden movements.

My friends told me I should snorkel off the coast of Astoria. They said Portland was beautiful this time of year. They said it would be brilliant. They said Hawthorn has the best crab dinner anywhere in the Pacific Northwest, Dungeness crabs up to ten inches, boiled in garlic butter. The sea salt on my skin was my own seasoning.

Clack.

It jabbed at me, snapping its pincer on my chin. The stubble gave it less purchase, it did not manage to break the skin like his friend by my ear had, not yet. It still hurt. I could feel that much. I spotted another shape moving further down, mounting my useless right leg, and could feel that not at all.

By the dim light left echoing through the sky, I saw its hideous little features. Black beetle eyes on stout stalks. Legs segmented and bowed, carrying its horrible body closer in timid steps. The body, flat and spiked all along its edge, a hard chitinous carapace, alien and horrific, even before its hooked pincers lashed forward and snapped onto my chin, twisting to rip off a piece of flesh, only to transfer that to the horrific mandibles that fed it into its mouth. The pain in my chin was balanced out by another piercing nip at my left ear. If the one by my leg had begun feeding on my ankle, I counted my blessings that I couldn’t feel it.

The one on my chest ripped off another piece, and I saw a grey hair in the short, shaved stubble. I liked that grey hair, thought getting some greys in my beard made me look dignified. I looked away. With shock setting in, even the pain didn’t feel so bad. 

A seagull wheeled overhead.

It wasn’t so bad, I thought, being reclaimed by the sea.


Remembrance

While I stared at the wooden door, I thought about a quote from that infamous graffiti artist, Banksy.

“They say you die twice. Once when you stop breathing, and a second time later, when someone says your name for the last time.”

I thought about everything that I had accomplished in my life, the people who had loved me, the placed I’d been and things that I’d seen. My earthly riches and trophies long gone.

A relatively short life, if this was to be it. There’s got to be an old man somewhere out there – a real ancient, old fart – with his letter from the Queen and his papery skin, who is the last living person to remember a whole swathe of people. When he goes down for the final count, it’s not just him, it’s a big cluster that gets forgotten once his impulses and neurons stop firing.

Speaking of, I was surprised that I could still notice anything about this door, especially any new details about the wood grain. This whole experience was starting to make me doubt everything that I thought I knew about what it was to be human. There’s a nick in this door, I think. It’s hard to make out now, my eyes not being what they used to be.

I think one of them has burst.

I had to accept that it was an honour to die before my name did. There were surely some poor and lonely souls that were forgotten before their hearts ceased to beat, but how can we be sure? That’s the very nature of the problem.

IS that a nick on the door?

I can still stare out of my left eye. Chris did hit me quite hard, so I can understand why my right eye would be the first to go.

Also, I think my right hand has come away from the wrist. Hard to tell, time moves so slowly down here. Incredible how my senses still work, even after my brain has ceased to spin electricity and begun to melt. Is this proof of the soul? Pity I can’t tell anyone, six feet underground as I am.

Maybe my infamy will be short-lived. How long can they remember me, really? And if they all forget, will someone come along and read my tombstone, say it aloud and bring me back for a spell?

Maybe they won’t know of my life, or my deeds, or look me up. I hope that will prevent me from seeing the inside of this box again. I hope that, by then, the name Jeffrey Lionel Dahmer won’t mean anything to anyone.